FABRIC 77 - Marcel Dettmann - Fabric Records

German producer and DJ, Marcel Dettmann takes the helm for the 77th part of the Fabric mix series.

Growing up in Fürstenwalde in the former German Democratic Republic, Dettmann has been influenced by various music styles since he was a child. His grandmother worked as a music teacher and inspired Marcel and his family to play instruments. In addition the radio at Marcel´s home was always on if there was already no record playing.
Little by little he discovered the likes of Depeche Mode, The Cure or DAF, then later Detroit Techno and Chicago House. As they only had a record player at home he obviously just bought vinyls. His passion led him to start recording mix tapes for himself and his friends, and he also began to organise parties in his hometown. When school and apprenticeships didn’t seem to work out he ran a small record store in the house of his mother. It was with this job that he financed the beginning of his own elaborate record collection.
Dettmann was DJing at the club Ostgut from the late 90s - the forerunner to Berghain. For a decade he’s been a resident DJ of the world renowned club in Berlin. Even though Marcel is involved with several labels such as Ostgut Ton, for the fabric mix he prefered to pick mostly unreleased material from his own imprint, Marcel Dettmann Recordings (MDR).

“I mixed it at home with 2 CD players, as most of the tracks are not available on vinyl yet.
The mix is mostly based on unreleased MDR demo tracks, which I’ve carried around with me for the last few years. For example the ROD track, I’ve had this one for at least 3 years. Now it is finally a good opportunity to release those tracks and they will all come out on MDR.” - Marcel Dettmann

Marcel chose to incorporate a variety of techno sounds in this mix – including tracks from fellow MDR artists Answer Code Request and Norman Nodge, to younger names in the industry that he's recruited for his label, such as Wincent Kunth, and a number of his own remixes, tied together by releases by the likes of Terence Fixmer and Robert Hood’s Monobox.
Fabric 77 is a well-balanced snapshot of current techno in a master’s hands. It may surprise some listeners with its vibrancy, delicacy and range that reaches far beyond the sound you would expect in a dark sweaty club at 6am.
It’s a perfect personal reflection of Marcel’s love of all music and techno in particular.

Marcel Dettmann will launch fabric 77 at fabric on Saturday 30th August (tickets: http://www.fabriclondon.com/club/listing/947) and at Berghain on Saturday 6th September.


Tracklist:


1. Ryan James Ford - Arthure Iccon [MDR]
2. The Persuader - Sun Position [Concrete Music]
3. Terence Fixmer - Inside Of Me [Planete Rouge]
4. Marcel Dettmann - Apron (PAS The Rhythm Remix) [MDR]
5. Answer Code Request - Transit 0.2 [MDR]
6. Dario Zenker - Nearlin [MDR]
7. Monobox - Film [M-Plant]
8. FBK - It’s Not The Point [MDR]
9. Marcel Dettmann - Radar (Byetone Remix) [Ostgut Ton]
10. Rod - RSPCT [MDR]
11. Paperclip People - Country Boy Goes Dub (Marcel Dettmann Remix) [Planet E]
12. Norman Nodge - BB 1.0 [MDR]
13. Francois X - Rising [MDR]
14. Marcel Dettmann - Lightworks (Phase Remix) [Ostgut Ton]
15. Lockertmatik - M_Lock 4 [MDR]
16. Wincent Kunth - Carlre [MDR]
17. Joey Anderson - Repulsive (Marcel Dettmann Edit) [Dekmantel]
18. Marcelus - Flash [MDR]
19. Vril - Torus XXXII [Forum]

SNOW GHOSTS - Secret Garden - Houndstooth

Snow Ghosts is the collaboration between Throwing Snow, aka Ross Tones, and vocalist Augustus Ghost, aka Hannah Cartwright. In 2013, they released their critically acclaimed debut full-length LP ‘A Small Murmuration’ on Fabric's label Houndstooth, and were named The Guardian’s ‘New Band of the Day’, Zane Lowe’s ‘Next Hype’, and have played a live acoustic session on Dermot O’Leary’s BBC Radio 2 show.
‘Secret Garden’, the third single from the album, is an atmospheric, melancholic production that perfectly melds Ross’ love of chaos theory and Hannah’s earthy propensity for nature. Iconoclastic producer Matthew Herbert provides his delicately off-kilter 'Wash It All Away Remix', while avant-garde producer Richard Skelton offers up an unforgettable ambient drone re-work.
Black Acre's Blue Daisy features on the album version of 'Covenant', and he returns here with Hey!Zeus under the Dahlia Black collective to round out the EP with a raw, horror-core influenced hip-hop remix.
The 12” is cut to heavyweight 180g vinyl by mastering engineer Matt Colton and strictly limited to 300 copies.


Tracklist:

01. Secret Garden
02. Secret Garden (Richard Skelton Version)
03. Secret Garden - (Matthew Herbert's Wash It All  Away Remix)
04. Covenant - Snow Ghosts feat. Dahlia Black Remix
05. Digital Bonus: Secret Garden (Matthew Herbert's Wash It All Away Instrumental)

BEN SIMS - Fabric 73 - Fabric Records

 Prolific, eclectic, and always evolving, Ben Sims' name has been synonymous with quality techno for nearly two decades. His enviable career path mirrors the history of twenty years of popular music in the UK, drifting from hip-hop and reggae into the early days of pirate radio, the peak of acid house, and pummeling hardcore. Sims has always been a precocious listener – in his early teens he would DJ his school's disco parties prior to gaining a reputation as an advanced talent on the rave and club circuit – and his experience is reflected in the timelessness of the selections on Fabric 73. Beholden to no specific era or genre beyond the power of their pure transportive grooves, on Fabric 73 Sims showcases the restlessly creative selections that continue to make him an essential and inspiring DJ for advanced techno listeners worldwide. Born in Essex, Sims' childhood was soundtracked by reggae, ska, and radio chart music. After being exposed to electro and hearing local kids dancing to a ghettoblaster in a nearby park, Sims got hooked on hip-hop and bought his first turntable setup at the age of 10. Even now, his DJing is influenced by the sampladelic energy of hip-hop, frenetic cutups plucked from their surroundings and repurposed in enhanced form. The ideal of a swaggering MC and the voice as percussive instrument also remains an influence, evident in his canny deployment of exhilarating microsamples in typically instrumental templates. Fabric 73 is full of this vocal detail, with samples folded, creased, and crammed into the spirited techno in a way that suggests a raucous party inside the tunes themselves, and not just occurring amongst those listening. Sims' molecular mixing has a piercing immediacy that doesn't lose sight of musicality, making for an engrossing and impressively fluid listening experience. Heavily influenced by what Sims calls the “perfect and elusive” environment of Fabric's Room 2, his long-awaited contribution to the Fabric series matches that industrial setting and the depth of experience possible in a dark, sweaty, peaktime room. "Fabric already plays a special role in my life as an DJ as it's one of fave places to play but now the mix CD takes it to the next level. I'm very happy and excited to be a part of the series and cement our relationship further. "
Ben Sims Fabric 73 was mixed live in sections, with Sims then poring over details, adding edits, and stitching the various parts together in Ableton to form a master mix. Sims' longevity reflects familiarity with a vast trove of techno's musical history, but this mix showcases his ever-evolving tastes, containing predominantly new and unreleased material as well as favourites from 2013. Fabric 73 is a cratedigger's dream, with no fewer than eighteen unreleased tracks and a number of Sims' famed edits, used as transitional bridges but delivering an emotional and percussive wallop that far outstrips their simplicity. In an attempt to make initial listens as immediate as possible, Sims has even refrained from playing out certain unreleased tracks until the CD's official release date. The beginning of the mix suggests a hush falling over a packed room, Sims taking the decks to the sound of twinkling arpeggios before catapulting into slinky techno. There is an immediate emphasis on granular shifts in tone and timbre, reflecting Sims' superhuman mixing prowess (the mix was recorded on three Pioneer CDJ2000s). Alden Tyrell's “Wurk It” is a jacking and disorienting early peak along with Sims' forthcoming remix of Floorplan, the alias of techno legend Robert Hood. Sims' world is one where the jittery club workouts of L-Vis 1990 rub comfortably against the psychedelic techno of Truncate, and his own Fokus Group alias project sits sandwiched between an unhinged Surgeon remix and newcomers Clouds. Sims allows the mix to artfully disintegrate and rebuild, delving into percussive detail and chordal warmth rarely heard in such assaultive techno. Taking cues from his heroes Jeff Mills and Robert Hood, Sims' mixing is thrusting and minimal without sacrificing thick detail. The tunes are foreboding but also plain fun, as in Sandrien's snide and funky “I Left My Girlfriend In A Club.” There are numerous spiralling rabbit holes and gnashing elemental minimalism, whether it's the 303 purity in a Sims edit of Donnie Tempo's “Tazmanian Virus” or any variety of disembodied whoops, coughs, come-ons, and other vocal tics. A series of Sims' edits and unreleased originals bring the mix to a storming end, with Paul Woolford's “Broken Dreams” establishing a connection to Fabric's in-house Houndstooth label. Drawing on a rich and unparalleled musical history, Ben Sims' Fabric 73 is as much autobiography as it is vision of an uncompromising musical future.

Tracklist:


01 Joton GS
01 [Mastertraxx]
02 Kryptic Minds & Paul Mac Icon
[Tactical]
03 Kirk Degiorgio Dread
[Machine]
04 Alden Tyrell Wurk
It [Clone Jack For Daze]
05 Ben Sims The
Little Jam (Edit) [Theory]
06 Floorplan Higher
(Ben Sims Remix) [MPlant]
07 Gingy & Bordello All
Day (Robert Hood Remix) [Turbo]
08 Dimi Angélis & Jeroen Search Monopole
(Sims JFF Edit) [A&S]
09 Tripeo Kienokki
(Edit) [Theory]
10 Benjamin Damage Recursion
[50WEAPONS]
11 Ben Sims Raise
Your Hands (Mr G Remix) [Theory]
12 Mark Broom 133
[Beard Man]
13 MDL vs JR Belmont
(Edit) [Theory]
14 Marcel Dettmann Corebox
(James Ruskin Blueprint Mix) [MDR]
15 Mark Ambrose Shooting
Stars (Fokus Group Remix Edit) [Theory]
16 Robert Hood Moveable
Parts (Untitled 1 Mark
Broom Edit) [MPlant]
17 Ben Sims Break
Glass (Sims Remix Edit) [Theory]
18 LVis
1990 SDS5000
[Clone Jack For Daze]
19 Sandrien I
Left My Girlfriend In A Club (Edit) [Theory]
20 J Tijn U
U U [WNCL ]
21 Nphonix Tactix
(Sims JFF Edit) [Audio Culture]
22 Mike Dehnert Eigenzeit
[Fachwerk]
23 Ben Sims Break
Glass (LVis
1990 Dance System Remix Edit) [Theory]
24 LVis
1990 Wires
[Clone Jack For Daze]
25 Donnie Tempo Tazmanian
Virus (Sims JFF Edit) [moreaboutmusic]
26 Chicago Skyway Fall
Down (Sims JFF Edit) [unreleased]
27 Chicago Skyway Ride
3 (Sims JFF Edit) [unreleased]
28 Truncate Room
Mode [Truncate]
29 Truncate Model
1 [Truncate]
30 Paul Mac Grind
Returns (Ritzi Lee Remix) [Stimulus]
31 Ben Sims Samurai
(Edit) [Theory]
32 Julien H Mulder Symmetric
Timeline (Sims JFF Edit) [Färden]
33 Rod 90'
s (Edit) [unreleased]
34 Ben Sims Something
(Sims Beats Mix Edit) [Theory]
35 Terrence Dixon Minimalism
A1 (Ben Klock Remix) [Sino / Technorient]
36 Ø [Phase] Distracted
[Token / N.E.W.S.]
37 Ben Sims Dream
State (Edit) [Theory]
38 Ben Sims Raw
Hide [Theory]
39 Pfirter Ahora
(Sims JFF Edit) [Mindtrip]
40 Ben Sims Neurosis
(Surgeon Remix Edit) [Theory]
41 Clouds Chained
To A Dead Camel [Overlee Assembly]
42 Fokus Group Nut
Nut [Pennyroyal]
43 Ben Sims Joyrider
(Trevino Remix Edit) [Theory]
44 Special Request Broken
Dreams [Houndstooth]

SANDWELL DISTRICT - Fabric 69 - Fabric Records

Sandwell District sono responsabili dell' aver compilato il nuovo Fabric 69 e di aver destabilizzato e disarmato  tutte le strutture che imbavagliano la libera espressione musicale da più di dieci anni.
Regis e Function hanno svolto un ruolo fondamentale per ampliare il legame tra i principi dell'elettrocnica e il post punk con la moderna scena techno dando vita ad un progetto che si identifica in un suono, in una label e in un percorso artistico.
Sandwell District significa questo e questo mix lo dimostra; un vero e proprio manufatto, un segno della loro presenza, della loro esistenza distorta, un tesoro ed un patrimonio appartenente alla scena techno moderna.